Symbols beyond Icons: wearing emblems.

As symbols of empowerment and extraordinary elegance, unique watches and jewels often embrace the soul of an icon. Designed with the most refined quality and delicacy, The Panthère de Cartier and Bulgari Serprenti represent icons of style and craftsmanship, affirming the greatest elegance of unique iconic motives.

 

The Panther de Cartier: The Feline Legacy

It was 1914 when the panther became the greatest icon of Cartier, appearing on a watch made by the Maison, with diamonds and onyx. The efforts of one of the most visionary jewelry directors of Cartier, Jeanne Toussaint, further cemented the panther’s identity leading to the creation of further jewelry that grasped the essence of the iconic symbol, which was nicknamed by Luis Cartier himself “La Panthère”.

However, Cartier’s Panther properly gained the status of the brand’s defining emblem after 1948, when the Duchess of Windsor wore a three-dimensional brooch. Since that moment, panthers with emerald eyes have started to appear in countless forms, including bangles, rings, and the most iconic necklaces. A new reimagination of the panther was introduced in 1948, redesigning the bracelet in a more fluid way that emulates the sleek and silent movement of the animal itself.

The meaning of the most iconic Cartier symbol goes beyond the narrow aesthetic appeal. Indeed, it embraces the idea of independence and confidence in whichever version the Maison has designed until the most iconic versions, adorned by glittering feats of uniqueness.

Behind the Cartier feline symbol lies an ethical idea that is “not to imitate but to pay homage, to breathe life into the animal and bestow it with personality”.

The ratio behind it goes beyond the representation of the animal, with the aim to try to capture its feline essence, transcending its likeliness.

This research is carried out in each panther representation made by the Maison: designs may change and evolve, and materials may vary, but the house’s spirit remains unchanged. The iconic design has become the symbol of effortless sophistication since Cartier’s introduction of its first women’s timepiece adorned with panther motives with diamonds and onyx. However, it was thanks to the effort of the jewelry designer Jeanne Toussaint that Cartier’s image started embracing the soul of elegance, boldness, and strength, encapsulated in the feline figure.

The choice of this kind of design isn’t casual but rather astute: it is in line with the era’s aesthetic, where the panther was a frequently recurring symbol in art, fashion, and interior design.

Decades later it is still the most recognizable symbol of the Maison and even after the introduction of sleek and refined timepieces without further excessive embellishments, the panthère has become an instant classic.

Bulgari Serprenti: the icon of Metamorphosis

Symbol of temptation since the Garden of Eden, serpents have always embraced a dual allure, combining fearsome elements with fascination. The serpent, as a symbol, permeates myths and legends across cultures. Snaked motives were and still are deemed to be the most iconic emblems of metamorphosis and evolution.

Ancient Mythology used to present the serpent as a symbol of rebirth, suggesting the idea of seduction and, at the same time, evoking the legendary style icon Cleopatra. It was not a case, indeed, the fact that the actress Elizabeth Taylor wore the Bulgari Serpenti in the scenes of Cleopatra.

In the ancient Egypt iconography, the most prominent adornment of pharaohs’ crowns and other royal insignia was the Uraeus, which is a cobra emblem. It was deemed to be the greatest symbol of power and believed to offer protection while affirming the divine right of its wearer, the Pharaoh, to rule.

Conversely, Greek and Roman mythology recognized a strong association between snakes and the idea of healing and medicine. Indeed, the Greek God Apollo’s son, Asclepius, revered as the God of Medicine, was represented with a staff entwined with a snake. Further examples may be cited, and Medusa is certainly one, with her head full of writhing snakes in place of hair.

In the field of fine jewelry, the image of the serpent is intertwined with a long and illustrious history, becoming the symbol of eternal love when represented on a ring crafted from 18-karat gold in 1939, after Prince Albert presented Queen Victoria with a bespoke serpent ring, adorned with ruby eyes, a diamond mouth and an emerald centerpiece, which reflected the birthstone of the Queen.

In the twentieth century, further distinguished jewelry houses began to reinterpret the serpent in their designs, with the remarkable necklace made by Cartier in 1968 for the Mexican actress María Félix. Encrusted with 2,473 diamonds and set in platinum, yellow gold, and white gold, adorned with pear-shaped emerald eyes and an underside of green, red, and black enamel, the snake necklace resulted in a captivating jewel that displayed a vibrant visual appeal from every perspective.

Nevertheless, Bulgari is deemed to be the brand most closely associated with snake-motive watches and jewels. The Serpenti collection encapsulates the very core and enduring allure of serpent design and is the greatest source of commercial success for the House.

Bulgari Serpenti designs have evolved with the brand and grown, becoming the very core of Maison’s soul, with the most symbolic piece, the Twirl. Using a Turbogas technique, the serpent bracelet coils around the wrist seven times. The serpent motif features a head embellished with best-quality gemstones, subtly hiding a concealed watch face. However, the very essence of the designs is the contrast of materials, elegantly juxtaposed in a way that leads to creations that align seamlessly with the refined aesthetics and bold design principles of Bulgari.

Transcending time

In today’s luxury scenario, few attributes may surpass the significance of out-of-ordinary brand heritage. The Panthère de Cartier and Bulgari Serpenti are emblematic examples. They embrace symbols steeped in tradition and destined to leave an indelible imprint in the history of jewelry, remaining steadfast in their very essence, yet perpetually evolving.

Paris Society: A sensory voyage in the French capital

What is hospitality without France? Would César Ritz have been as successful if he had inaugurated le Ritz elsewhere than Place Vendôme? Paris encapsulates the essence of luxury and what it means to live a luxurious lifestyle. Whether you focus on restaurants, hotels, or events, the French capital will always be your best choice. Paris Society sensed this opportunity, and the group reunited these three hospitality branches under one brand. Since its founding in 2008, the group has come to represent an opulent, immersive experience that combines top-notch cuisine, elegant surroundings, and architectural magnificence. The group was established in Paris and has established a niche at the nexus of upscale cuisine, lavish environments, and an exclusive culture.

 

A delicate Combination of Food, Ambience, and Architecture

At the heart of Paris Society’s appeal is its seamless integration of three key elements: food, ambiance, and architecture. Each venue under the group’s umbrella is designed to evoke a sense of wonder and indulgence, with every detail curated to create a sensory journey. Using the best ingredients, many of which are locally obtained from French suppliers, the culinary offerings at Paris Society businesses are distinguished by their quality and inventiveness.  The architecture and interior design of each Paris Society venue are equally impressive. From historic Parisian mansions, like the newest addition to the group, Baronne in the Hôtel Salomon de Rothschild, to sleek modern spaces, the group works with renowned architects and designers to create environments that reflect timeless elegance and contemporary flair while embarking the clients on an exotic trip. 

 

A Culture of Exclusivity

One of the central tenets of Paris Society is exclusivity. Through venues that appeal to a select customer looking for a distinctive, frequently exclusive experience, the organization has developed an image as an insider’s destination. Whether it’s a private dining room, a members-only club, or an exclusive event, Paris Society fosters an atmosphere where visitors feel like they belong to a select group. The discreet and attentive service that Paris Society venues are renowned for further contributes to this atmosphere of exclusivity. The staff, many of whom are educated to anticipate their customers’ demands before they are articulated, further enhances the feeling of privilege that permeates the experience. Emphasis is placed on personalization to make each visit feel unique and remarkable.

 

The “French Touch”: Redefining Luxury

The “French touch” transcends mere beauty; it provides hospitality characterized by sophistication, elegance, and meticulousness that is exclusive to French culture. Modern luxury was invented in Louis XIV’s court, and Paris Society incorporates this French element into every facet of its operations, from the delectable food offered in its restaurants to the opulent décor in its spaces. The French influence is most noticeable in the team’s commitment to producing a memorable sensory experience. With exquisite French wine lists and inventive food, high-end materials like rare woods and luxurious linens pay homage to the nation’s renowned heritage of luxury and workmanship. Each Paris Society venue encapsulates the French art de vivre, making it more than just a place to dine or socialize but a destination for those who seek the very best in life.

 

International Expansion: Bringing the Parisian Experience to the World

Paris Society has achieved its global aspirations through its international expansion plan, which aims to bring the distinctive Parisian lifestyle to other countries. The group has expanded its reach to international cities like Dubai, Ibiza, and London, where its venues have come to represent elegance and sophistication with a distinctive Parisian touch. Paris Society’s international development has involved more than just copying the Parisian model; instead, it has engaged customizing its offerings to fit the distinct cultural circumstances of each new area while preserving its distinctive fusion of modern flare and French elegance. The organization maintains its status as a worldwide known icon by providing the same superior service, exclusivity, and quality visitors anticipate from a Paris Society experience at its overseas venues.

“J’ai accompli de délicieux voyages embarqué sur un mot”,dreamed Honoré de Balzac in Louis Lambert, Paris Society accomplished delicious trips embarked on a plate and on a dance floor. The group is a shining example of French luxury, combining exquisite cuisine, stunning architecture, and a sophisticated sense of exclusivity to provide an unmatched level of hospitality. Its successful international expansion has brought the elegance and appeal of France’s capital to the most cosmopolitan places on earth, thereby extending the Parisian lifestyle to the rest of the world. By doing this, it has reinterpreted what luxury is and established a new benchmark for hospitality that successfully balances history and modernity. As the organization keeps growing and changing, it continues to represent luxury and sophistication, where the “French touch” is embodied for a worldwide audience.

Ambroise de Valicourt.

 





The Iconic Prada Marfa

You’ve seen it before—perhaps on Instagram, in an art gallery, or even on a Gossip Girl episode. A lone, minimalist storefront bearing the iconic Prada logo, standing starkly against an empty desert backdrop. It’s mesmerizing, mysterious, and oddly familiar. But what lies beneath the surface of Prada Marfa? Beyond its sleek facade is a story brimming with irony, cultural critique, and unexpected twists.

Let’s rewind to 2005. Conceived by Scandinavian artist duo Elmgreen & Dragset, Prada Marfa was installed on an isolated stretch of U.S. Route 90 near the small art mecca of Marfa, Texas. The concept? To create a “pop architectural land art project” critiquing consumerism and the luxury industry’s obsession with exclusivity. With the blessing (and sponsorship) of Miuccia Prada herself, the artists filled the boutique-like structure with authentic Prada products from the 2005 fall/winter collection. But here’s the catch: the building was never meant to operate as a store. The doors are sealed, the bags are bolted to shelves, and the shoes displayed are all left-footed. Over time, the installation was intended to weather naturally, blending into the arid landscape like a mirage of modern consumerism.
But what happened next was something no one could have predicted.
The very critique of capitalism and luxury became a cultural emblem of both. Barely a month after its unveiling, the installation was vandalized—its pristine glass shattered, its shelves looted. This act of destruction ironically underscored the artwork’s commentary on material greed. Repairs were made, and security measures, including cameras and reinforced glass, were added.
Despite its remote location, Prada Marfa attracted attention from artists, travelers, and press, quickly becoming a cultural touchstone. It wasn’t long before Hollywood came calling. In 2011, the installation made a cameo in the hit TV show Gossip Girl, when Serena van der Woodsen is seen gazing at an oversized Prada Marfa replica (…or maybe not) hanging in her living room. This moment solidified its status as a pop culture icon, introducing it to a wider, fashion-forward audience.

But here’s the kicker: Prada Marfa isn’t just a pretty picture. It’s a legal conundrum. In 2014, the Texas Department of Transportation deemed the structure an illegal billboard under state advertising laws. The uproar that followed—from art enthusiasts to local communities—eventually led to its reclassification as a museum. This designation ensured its preservation and highlighted its status as a landmark of cultural significance. The installation’s journey doesn’t stop there. It has inspired countless homages, parodies, and reinterpretations. A notable example is Louis Vuitton Alma Marfa, a similar installation designed by artist duo Whitaker Malem in collaboration with Louis Vuitton. This act of mimicry, though commercial in nature, underscores the enduring influence of the original project.

What many may not know is that the town of Marfa itself has a rich artistic legacy. Known for its minimalist art scene, it’s home to the late Donald Judd’s famed installations and collections. Prada Marfa seamlessly fits into this avant-garde landscape while standing out as a critique of the very values that sustain luxury fashion. For those who journey to this remote Texan desert, Prada Marfa offers a paradoxical experience. Standing before the installation, surrounded by emptiness, you can’t help but feel the tension between permanence and decay, luxury and desolation, art and advertising. So next time you scroll past a photo of Prada Marfa or spot a replica in someone’s living room, pause and reflect. Behind its glossy allure lies a story filled with irony, rebellion, and unexpected cultural resonance—proof that even the most remote corners of the world can give rise to icons.

Jean Rousseau: a testament to French excellence

“A gentleman’s choice of timepiece says as much about him as does his Savile Row suit” judged the creator of James Bond, Ian Fleming. Even further than the watch, how it’s dressed matters just as much. Wearing a well-fitted strap crafted with the finest materials and the required craftsmanship makes any timepiece stand out. With this idea in mind, Jean Rousseau was born because what is more chic than having your initials stamped in the heart of a one-of-one piece of art? 

 

Savoir-Faire: the spearhead of the Maison

Unmatched savoir-faire is at the core of Jean Rousseau. The business has promoted traditional craftsmanship since its founding in 1954, guaranteeing that each product is of exquisite artistry and accuracy. Located in Besançon, the historic epicenter of French watchmaking, Jean Rousseau’s ateliers blend old techniques with contemporary advancements.  

The brand’s artisans hold expertise in all aspects of manufacture, from tanning the finest leathers to hand-stitching intricate embellishments.​​Every piece exhibits a commitment to excellence, with each cut expertly performed and each material carefully selected. The brand proudly exposes its unique artistry with the in-house “coupé sellier”, passed down through generations. This ingrained knowledge guarantees that Jean Rousseau’s works endure the test of time and become a treasured heritage for future generations.

 

Exclusivity: a maître mot

Jean Rousseau’s identity is interwoven with exclusivity: Only four cities worldwide share the privilege of hosting a Jean Rousseau atelier. This Goyard-like ethos proves the brand’s attachment to prioritizing quality over quantity and creating a sense of exclusiveness. Every element can be tailored to match the client’s style, from picking the type of leather and stitching to choosing colors and finishes. The brand appeals to aficionados looking for uniqueness and sophistication in their horology journey, often getting the brand known by word-of-mouth.

 

The union of plurality and sustainability

The wide variety of materials Jean Rousseau offers demonstrates their dedication to personalization. Although the company is best renowned for its stunning alligator, it also offers a range of other skins, including ostrich, calf, and ray. Each skin is carefully selected for its refinement, exclusiveness, and a touch of fantasy.  

The business takes pride in its vertical integration, which enables it to oversee every aspect of production and uphold faultless standards. Indeed, the Manufacture Jean Rousseau houses every workshop needed to produce the straps, from the selection of skins to the tanneries. Additionally, Jean Rousseau’s leather is tanned to meet environmental standards according to the directives of the REACH regulation. Finally, the brand opened its irreplaceable techniques to vegan customers, offering a range of “100% leather-free” products. This painstaking process produces goods that radiate luxury while conforming to contemporary ideals of moral obligation. 

 

More than a purchase, an experience

Jean Rousseau delivers an engaging experience in addition to high-end products. Clients who walk into one of its stores are greeted with personalized attention and unparalleled care. The experts at the atelier get to know each customer’s preferences to guarantee that every product is impeccably tailored.

People who choose bespoke services have a more participatory experience. Customers can examine a wide range of materials, textures, and hues to get a firsthand look at the artistry that characterizes Jean Rousseau. This cooperative procedure creates a strong bond between the customer and the product, turning the visit into an unforgettable experience and the strap into an extension of the soul. 

Jean Rousseau epitomizes the harmony between timeless craftsmanship, exclusivity, and modern sustainability. From its meticulous attention to detail and mastery of traditional techniques to its commitment to personalization and environmental consciousness, the Maison offers more than just luxury accessories—it delivers a profound connection between the wearer and their tailored timepiece. Each strap is not merely an accessory but a reflection of essence, designed to transcend trends and endure as a cherished piece of artistry. By blending heritage with innovation, Jean Rousseau ensures that its creations are not only captivating expressions of savoir-faire but also meaningful, sustainable investments in refinement and grace.

Creating magic at Coperni

 From a “spray-on” dress to a show at Disneyland featuring zero gravity bags, few brands have mastered the art of creating buzz like Coperni. Blending technology, art, and an unorthodox approach to runway presentations, Coperni has redefined what it means to make a lasting impression on the world stage. At every major fashion week, the Paris-based label finds new ways to spark conversation and dominate social media feeds, crafting moments that go beyond traditional style showcases to become viral sensations. 

 But who are the masterminds behind one of the fastest growing brands on the market and what is their story? A deep dive into Coperni’s founders and history will answer some questions regarding the root of all of this creativity. Coperni was established in Paris in 2013 by two stylists, Sébastien Meyer and Arnaud Vaillant. They first met through their fashion studies at the Mod’Art school in Paris in 2009, and later became the Creative Directors duo of Courreges, with other work experiences also including Balenciaga and Chanel. Sébastien, a fashion design graduate, is the lead in regards to the creative vision, while Arnaud, with a management background, oversees the business side. Together, they bring two distinct perspectives—logic and emotion—that harmonize each other to create a well-balanced brand identity.

 The inspiration for the name Coperni came from the “heliocentric theory” of the astronomer Copernicus.  It reflects the fashion house’s commitment to innovation, audacity, and a willingness to challenge norms—values embodied by the visionary astronomer. Just as Nicolaus Copernicus revolutionized humanity’s view of the universe by placing the Sun, not Earth, at its center, Coperni seeks to shift paradigms within fashion.From audacious partnerships with tech companies to jaw-dropping stunts that blur the line between fashion and performance art, Coperni’s approach is equal parts innovation and showmanship. “We see it as our mission to push the boundaries of what’s possible in fashion,” says Meyer. “A designer’s duty is to improve and find new solutions, not just for aesthetics, but for practicality and sustainability.”

 Indeed, Coperni doesn’t just aim to create clothing but to redefine fashion as a medium that can captivate, innovate, and transform. A prime example of this was  their internet-breaking “spray-on dress,” which captivated audiences at Paris Fashion Week in 2022. The dress was made from Fabrican, a liquid fabric that was sprayed right onto Bella Hadid’s body, instantly solidifying into an actual wearable piece. The moment went viral, racking up over $22 million in media buzz! But beyond the wow factor, there was a powerful message here: this spray-on dress wasn’t just a cool stunt—it’s also eco-friendly. The material is machine washable, can be turned back into liquid, and reused, making it a sustainable fashion breakthrough.

 Following the viral spray-on dress, expectations for the AW23 Coperni show were high—and they were more than just met. Instead of models opening the scene, a bright yellow robot stole the spotlight, making its way to the front row to greet first-row spectators. Moments later, a group of identical robots appeared, moving dynamically in a way that resembled choreography. As they “danced” down the runway, the first model appeared, dressed in a plain black suit to keep the audience’s attention on the robots that intrigued them. At one point, a model was even undressed by a robot (cf. video). Coperni’s unique techno-chic approach was evident throughout this collection. Once again, the brand employed technology to create an unforgettable spectacle with a compelling message: imagine a future where humans and machines can coexist. According to creative directors Sébastien Meyer and Arnaud Vaillant, “The show presents Coperni’s vision that there is neither a dominant nor a dominated, but that man and machine can live in harmony.”

 Coperni’s most recent show, held at Disneyland , is also a reflection of the brand’s constant strive for what hasn’t been done before. Lines are easily drawn between Mr. Walt Disney, who dedicated his life to imagination and making the impossible possible through technology—and Coperni’s innovative approach to fashion. One of the most compelling outcomes of this collaboration are the Swipe Bags that were seen at the show, crafted using a groundbreaking technique called Rapid Liquid Print (RLP). Developed by MIT’s Self-Assembly Lab,  RLP takes 3D printing to a new level; rather than building layer by layer on a flat surface, it allows designers to “draw” forms within a gel suspension, similar in texture to hair gel or hand sanitizer. This method frees designs from gravitational constraints, enabling the creation of soft, stretchable, and durable items, like the Swipe Bag. Constructed from platinum-cured, recyclable silicone, the Swipe Bag is not only visually striking but also a testament to Coperni’s dedication to sustainability and technological advancement. The RLP process itself is eco-friendly, utilizing nontoxic materials with minimal environmental impact. Although Coperni has yet to determine the production quantity for the RLP Swipe Bag, for Meyer, sparking a broader conversation on innovation and sustainability is a priority over immediate commercial gain : “I want to use the show to platform scientists and technologies that could make the industry better.”

 At the core of this thirst for innovation is Meyer’s passion for science fiction. As a self-proclaimed “geek,” Meyer finds endless creative fuel in sci-fi’s visionary worlds, which often serve as blueprints for future technology. Coperni’s last collection was a tribute to the genre, incorporating subtle nods to legendary films like Star Wars, Dune, and The Matrix. For Coperni, fashion is more than just crafting beautiful pieces—it’s about constructing immersive worlds that let audiences glimpse a future that feels just within reach. As AI evolves faster than many can keep up with, brands like Coperni—and visionaries like Walt Disney—remind us that true innovation happens where creativity meets technology, bringing dreams to life in ways once thought impossible.

GANNI’s Success Story

It was 1999, and Frans Truelsen was selling a few “Ganni-labeled” t-shirts in his art gallery. The Danish brand was then far from the globally famous mid-luxury icon adopted by the world’s coolest girls from the 2010s onwards. 

 

As Nicolaj and Ditte Reffstrup (Ganni’s up-to-date creative director) took the brand over in 2009, they set up Ganni with a precise customer profile in mind: the average Danish consumer who is interested in fashion but would not pay 800€ for a basic dress. Nicolaj’s experience in the tech industry and Ditte’s creativity set a path for Ganni’s very own business approach, ethics and potential for the future. 

 

Ganni’s first SS10 and AW10 collections confirmed Ditte and Nicolaj’s clear vision: easy but still fashionable ready-to-wear. With simple but exceptionally commercial black tulle dresses and light denim shirts, Ganni was already worn by Denmark’s very own Helena Christensen, along with Caroline Issa and Claudia Schiffer. But Ditte and Nicolaj wanted Ganni to be set apart by another differentiator: its responsibility. 

 

From 2010, Ganni’s openness regarding production processes and dedicated efforts to reduce transportation and resource depletion made it a trendsetter for the future arisal of consumer desire for transparency. In 2011, Elle Norway called Ganni an ethical brand, and the two founders decided to continue building on the brand’s image by participating in philanthropic activities and spreading awareness about climate change through eye-catching slogans and statistics on its website. 

 

Ganni’s success can also be attributed to the values Nicolaj and Ditte tied to the brand’s core. By choosing to keep presenting its collections during the Copenhagen fashion week  even though Ganni would have easily found its place amongst Paris, New York or Milan’s coveted runway shows, the brand avoided alienating its first Danish customer, reinforcing its positioning as an ethical and mindful one. The choice to stay in Copenhagen also allowed Ganni to gain significant market share as a leading mid-tier brand: gaining status as a “big fish in a small pond” strengthened its bridge position in between mid-market and luxury, a segment of the fashion industry relatively less saturated than the former and the latter ones. 

 

Although Ganni has always been a worldwide renowned brand, their recent popularity surge can be attributed to the post-acquisition re-branding by L Catterton in 2018, sparking a fresh wave of Scandi fashion. In bringing this vision to life, multiple changes took place in the strategy and structure of the company.

 

Nicolaj Reffstrup, the founder, took on an advisory role focusing more on technological and sustainable innovations, long standing pillars of the brand’s identity. With initiatives such as circular fashion, recycled materials, and carbon offsetting, Ganni implemented 44 sustainability goals, not leaving anything to chance. Their commitment to environmental responsibility has always been woven deep into their ethics, sometimes manifesting itself into difficult choices. For instance, despite the 2023 $825 cowboy boots’ popularity, the environmental harm caused by the virgin leather and dyes in the cherry red and brown versions, led to their removal without offering any substitutes.

 

Ganni, renowned for its unique and playful aesthetic, has moved away from the minimalism of Scandinavian designs incorporating signature pieces such as leopard prints and grunge inspired silhouettes. Their logo has gained recent traction due to the perfect mix of modernity and simplicity, fitting into the recent trend of “quiet luxury”. By combining unexpected elements, Ganni’s designs offer versatile options for those seeking authenticity, self-expression, and individualism. Under Andrea Baldo’s leadership, former Balenciaga CEO, there is a new edge to Ganni’s already bold identity, as he navigates the brand through the intersection of high fashion, accessibility, and sustainability.

 

The re-branding has also manifested itself in a global expansion. By leveraging influencers, celebrities, and a strong social media presence, Ganni’s efforts built a visually impactful connection with their consumers. Wearing Ganni means embracing a culture of loyalty and disruptiveness, the same “vibe” seducing #GanniGirls all around the world, who help carry the brand’s scandi style by adopting its very own feminine grunge (to cite only a few among Kendall Jenner, Alexa Chung, Dua Lipa and Caroline de Maigret, all enhancing the visibility of Ganni’s eclectic chic).

 

When we talk about the future at Ganni, we are obviously thinking first and foremost about the brand’s ecological responsibility. At Copenhagen Fashion Week 2022, the company explained its absence from the catwalks by announcing its “Fabrics of the Future” initiative, aiming to research and develop innovative, lower-carbon preferred materials that are alternatives to conventional ones. As you may have understood, the future at Ganni is being built with one main goal: playing a crucial role in making fashion more responsible. 

 

However, the brand has not forgotten its core audience: Ganni’s “cool girls”.  Through its third capsule collection in collaboration with Barbour, out on the 30th of October, the brand offers us a glimpse of the globalization of this aesthetic. The purpose here is not to duplicate its fresh, modern Danish style in each new market, but to adapt it to the trends and fashion insights of the specific country and targeted customers. The famous Barbour jacket, known for having been an iconic piece of Lady Diana’s wardrobe in the 90s, is therefore reworked with velvet and Ganni’s emblematic leopard print. That is what makes this brand so special and promising for the future: its ability to pursue new paths of creativity without setting its DNA aside. This perfect balance was also maintained when the brand explored streetwear through the New Balance x Ganni sneakers released in September 2024.

Not only is Ganni opening up to new markets, but it is also entering new industries. On July 24, Nicolaj and Ditte Reffstrup announced a collaboration with three

female Chinese interior designers to work on three of its innovative “fabrics of the future”: VegeaTM, CeliumTM, and Oleatex. The project is called “Co-Made” and, featured in Wallpaper magazine’s “material performance” section, enables Ganni to experience homeware, creating pieces inspired by the fabrics they are made from.

 

 

 

 

 

 

 

 

 

These projects suggest that Ganni is not closing any door on further collaborations with other fashion houses, artists, or communities as long as they reflect the same responsible, ethical values and styles complementary to its own aesthetics. Ganni’s rising success is without any doubt related to its leading position in terms of innovations: the ones linked to the environment, especially through the re-branding of the company,  but also the ones regarding fashion and their position between mid-market and luxury. Its audacity in offering ever more versatile pieces that embrace different styles, while maintaining an aesthetic line, has enabled the brand not only to expand but also to maintain the loyalty of its customers, seduced by this constant renewed creativity, and who can only wonder what will be the next chapter.

 

THE RUNWAY AS A NARRATIVE

STORYTELLING AND ITS IMPACT ON PERCEPTION

Storytelling is a powerful tool, which transforms the runway into an immersive unforgettable experience. Once the audience is engaged in a story, the runway is no longer about just showing clothes – it’s about conveying a feeling, telling a narrative, immersing the viewer into the concept behind the collection. When it comes to the impact of storytelling on the perception of the fashion show, we can distinguish three categories – stimulating emotional engagement, providing context, and affirming brand identity.

 

Storytelling allows creative directors to use emotions as an instrument to invoke long lasting, memorable impact on the audience. One way to achieve this is by connecting the experience to a universal human feeling such as love, pride, joy, freedom, or nostalgia. Valentino’s 2019 Fall collection was very much centred about romance and love, and the centrepiece was a huge installation that read “The people you love become ghosts inside of you and like this you keep them alive”, setting the theme for the show. This leads us to a second way to invoke emotions – though the atmosphere, and the use of music, lighting, and props. Versace’s Fall 1991 show became known as the show of freedom, the one blending the spirit of the 90s pop culture with fashion, as Gianni instructed the supermodels Linda Evangelista, Christy Turlington, Naomi Campbell and Cindy Crawford to close the runway walking together singing George Michael’s Freedom! ’90 song. Another way to achieve such an impact is through tying the show to a character or an event, thus building a sense of escape or fantasy. Alexander McQueen’s Fall/Winter 2006 collection The Widows of Culloden conveyed an eerie, mystical feeling, as it commemorated the women who were widowed following the Battle of Culloden in 1746 and displayed McQueen’s tribute to his Scottish heritage. Overall, increasing the emotional engagement through storytelling generates memorability, creates ties with other art spheres, and transforms fashion into a powerful art. 

 

The second function of storytelling is to provide context for the collection. This could be a way to showcase a historical or cultural background, the designer’s vision, or a social or political message. Dior’s Fall/Winter 2019-2020 collection was in collaboration with feminist artist Tomaso Binga, which created a different perception of the collection, gave a narration to the product. The show took place in the Rodin museum in Paris, and the set was a display of the artist’s Scrittura Vivente – an alphabet where all letters are made by the artist posing naked (a very poetic way to say “I mean, I signify, I say”). The runway honoured feminism and it wasn’t a coincidence that Maria Grazia Chuiri chose such an impactful artist to provide the context behind her vision.

 

The third function of storytelling is to affirm brand identity, to show what the brand stands for, what it’s signature style is. A very recent example is the SS25 fashion show by Dolce&Gabbana, where all the models wore Madonna-like wigs. Dolce&Gabbana are known for the sensual, charming, and powerful nature of their designs, and their most recent collection was no exception, as it used the character of Madonna to form a play on femininity and dynamics, to merge the past and the present. Madonna is an icon, and Domenico Dolce and Stefano Gabbana’s creations give women the confidence to be bold and iconic just like her. Entitled Italian Beauty, the collection celebrated Madonna’s influence and captured the charm of Italian women. “This collection pays homage to an iconic and powerful female figure, immortalised by cinema through the decades, capable of asserting her personality while staying true to herself” is what the designers said about the collection, and there is no better way to express it than this. 

 

THE PSYCHOLOGICAL PERSPECTIVE

As we established, storytelling is a transformative tool in fashion shows, as it creates experiences, narratives, and generates positive, identity-related and even spiritual emotions, deepening audience connections. Since runways are typically not meant to provide utilitarian values, but rather access the hedonistic desire for meaningful experiences, the experiential factor generated by telling a story is key.

 

The first factor that is positively impacted by storytelling is the ability to persuade the audience – stories create experiences, and we make decisions based on cause and effect from our previous experiences. By using storytelling as a tool to influence the audience, it is possible to make the attendees think that the brand’s idea is theirs through emotional relations. 

 

A brand is able to truly engage the audience beyond the aesthetics by utilising metaphors – an instrument that activates the part of the brain that controls the senses. According to Uri Hasson’s research from Princeton, a storyteller (the brand), and listener (the attendee) can synchronize their brain activity, particularly in the insula cortex – the part of our brain which helps us emotionally relate to experiences such as joy, inspiration, disgust, fear, and pain. This creates a “brain alignment” which makes the listener emotionally resonate with the story and experience it as if it were their own, thus connecting to the brand’s identity and making the show’s narrative more memorable and impactful. Additionally, when information is presented as a story rather than just facts, people are able to remember it 22 times better, meaning that not only will the attendee’s audience be captured, but the long-term memory retention of the runway’s visuals will be enhanced.

 

Beyond converting visual information into more profound understandings—tying the clothing to the artistic vision and incorporating it into the brand’s core identity—employing narratives has also been proven to have a positive quantifiable effect. Fashion brands who introduced storytelling into their strategy experienced a rise in conversion rates by around 30%. Lastly, after providing an emotionally stimulating experience, the attendees are more likely to become brand advocates. This form of word of mouth is particularly powerful because it combines both intrinsic motivations (such as feeling connected to the brand’s philosophy and artistic vision) and extrinsic motivations (such as creating meaningful relationships based on sharing thoughts and interpretations of the show’s symbolism), ultimately amplifying the brand’s reach and reputation through authentic reviews.

 

STORYTELLING IN THE RECENT RUNWAYS SHOWS

Storytelling was also not missing from recent runways, evident through show notes, subtle symbolism, and even unintentional moments turned into viral narratives.  

 

As seen during Milan Fashion Week SS25, Bottega Veneta’s show was a perfect example of the impact of a strong storyline on the public’s perception of the collection and overall fashion show experience. By taking the audience through a life-spanning emotional narrative, Bottega Veneta’s Matthieu Blazy transformed fashion into more than just clothing—it became a vehicle for self-reflection, identity, and connection. The show took attendees on an emotional journey through childhood, adolescence, and adulthood. Oversized clothing symbolized a child’s curiosity in a time when “anything can happen, however fantastic, and we are not so bound by normal expectations and conventions”, stated the creative director, while leather and grunge aesthetics represented teenage angst and the transition to adulthood. Through this powerful connection between the art and the storyline, not only were the complexities of human existence brought to the attention of the viewers, but every individual was brought back in time, looking at their childhood through a mirror and reconnecting with the joy of dressing up as they once did in their parents’ oversized clothes. Thus, the collection managed to tell a relatable narrative about our everyday lives, presenting familiar characters such as the dad bringing his daughter to school with a pink backpack on his back, and challenging adults to give up the overly curated grown up sophistication for authentic playfulness.

 

A similar approach was adopted at the Coperni show during Paris Fashion Week SS25, where the collection was divided into three narrative sections, illustrating the evolution from childhood to adulthood as seen in beloved Disney films. This was done through symbols such as princesses, mermaids or villains, with opening looks embodying a sweet and nostalgic character leading up to the darker progression signalled by claps of thunder. What truly made this show stand out as a testament to the power of storytelling was the media awareness and commentaries surrounding Kylie Jenner’s appearance in front of the Sleeping Beauty Castle. This moment has been interpreted as a reference to fairytales, beauty standards, and the princess in a castle imagery as a critique of modern celebrity and perfectionism, proving that stories can be impactful even when not explicit. A symbol has value in itself by allowing the audience to speculate, become creative, and show their engagement by coming up with their own interpretation and ending to the story. 

 

It is interesting, however, to also look at moments of unintentional storytelling and how these generated an impact on the show’s success. Although Anok Yai’s runway malfunction at the Vetements SS25 show during PFW was not taken into account when creating the storyline, the audience was captivated by this moment, turning a mistake into a narrative. Therefore, the model “decided to go from elegant to defiant bride, hoping the character switch would work” — and it did. The unplanned, symbolic moment quickly went viral on social media, sparking audience conversations about the “perfect mistake” that added artistic depth and inviting new interpretations of its meaning—reinforcing the power of storytelling to capture attention and drive engagement.

 

CONCLUSION 

Storytelling, relying heavily on psychological theories and mechanisms, is therefore an important concept for brands in order to convey emotions, explain their designs and create a brand identity. It allows Fashion Houses to engage with their consumers and bring them into their universe to build stronger relationships, loyalty and has been increasingly used in the latest fashion shows. 

Apart from the runaways, we could wonder about the impact of new technologies and social media on storytelling. If new technologies allow brands to create more immersive experiences and thus enhance storytelling, social media is also a powerful tool considering it enables brands to keep a constant link with customers and create a lasting and continuous “story” and image. 

The place to be : Is it for the art, for the artists or for the elite ?

Artists reunion or artist competition ? Every two years, the world turns its head for over seven months towards the Venice Biennale. At first, it was perceived as a simple art event whose objective was to showcase artwork but up close it was so much more than that. Could it be considered to be a celebration of creativity, a playground for the luxury clientele, or both? It has become throughout the years the place to be for just about anyone in the art world. For artists, being chosen to showcase their art work there is a privilege, for collectors to be invited is a blessing and for everyone else it is a discovery. 

Indeed, it all began on the 30th of April 1895, with the inauguration of an art exhibition in the Giardini di Castello in Venice, demanded by the Venetian City council and patronned by the mayor of Venice, Riccardo Selvatico. Mainly it was done in order to celebrate the silver wedding of the King Umberto and Queen Margharita di Savoia. With over two hundred thousand people attending at the time, this show of artwork proved that this had to become a recurring event since it was installed – its essential goal was to focus and celebrate contemporary art as well as promoting Venice as a cultural capital, and on a larger scale it was Italy hosting the first large scale international art exhibitions. 

Initially, it mainly focused on Italian artists although over time it began to diffuse international works of art through the creation of National Pavilions. These pavilions, each from different countries, were initiated with the one created in 1907 by Belgium, thus permitting each country to showcase their countries’ cultural heritage. It also allowed such countries to point out and interpret contemporary concepts and issues. At that time, the biennale was seen as a place to be attended by the aristocracy in order to socialize and it was, and still is, a travel destination. Nowadays, it is not only an art world event but also a networking opportunity for artists and collectors, which can potentially lead them to find investment worthy pieces that have been influential. As any other major event in the world today, it is massively reported and influencers attend to film the social media part making it possible for it to attract a wealthy clientele. 

Due to the fact that it is a Biennale, this art event happens every two years. Whilst it began simply as an art showcase, the initiation of the Biennale of Architecture in 1980 paved the way for a wider range of cultural events such as a music biennale, a dance biennale and even a film biennale.  

For every Biennale, a new theme is chosen to set the tone for the art work displayed that year. Its artistic director spends years preparing and carefully handpicking artists whose work align with the focus of that Biennale, most are invited to the main exhibit which takes place in the Arsenal, the old Venetian shipyard; however, for the national pavilions, each country decides who to pick and how to interpret the main theme. Some countries decide to implement an artistic competition, others invite the artist who has the task to work with the theme to create something magical to represent their country in the Giardini. Often the themes are there to address pressing global issues. For example the 2022 theme, “The milk of dreams”, chosen by the artistic director at the time, Cecilia Alemani, explored the post covid human transformation and aimed to rethink humanity in relation to nature and technology.

In a way, the biennale of Venice can be interpreted as a competition for the artists displaying their artwork since it awards prizes to recognize outstanding artistic achievements through the Leone d’Oro that goes to the best national participation, then to the best artist through the lifetime achievement given to the artist that has made significant contributions to the contemporary art world. Additionally, the Leone d’Argento is awarded to a promising young artist, therefore to emerging talent. Finally, the jury can give Special Mentions to individual artists who have made impactful contributions.

Venice during this time period of the year, meaning from the months of May to November, becomes a major tourism hub since the Biennale has surpassed the status of an art event, it has essentially become a business. In fact, it is run as a business, with a president, currently Roberto Ciccutoo, who has been appointed by the Italian Ministry of Culture as well as a board of directors which oversees the strategy behind the Biennale. Finally, there are the artistic directors who in the case of the Art Biennale select the central exhibition, the participants, the theme and the layout. The whole event is managed by an administrative team that handles logistics, marketing, sponsorship and partnership. 

Sponsorships play a big part in making the Biennale possible every year since they create funding like American Express did this year in the 2024 Venetian Biennale. Low price ticket sales has made it possible for the Biennale to become more broadly accessible. 

This world art reunion, in the days preceding the public opening, includes collateral events and succeeds in attracting wealthy clientele by having tailored luxury experiences. For example, VIP previews are crafted to accommodate celebrities, royals and art collectors but also high-profile parties in Venice’s most stunning palazzos. As well as luxury hospitality with five star hotels like the Gritti Palace and Aman Venice, private boat rides and concierge services add to the sense of exclusivity. Private tours can be arranged to gain an insider perspective from curators. Some exclusive showrooms like pop up boutiques are also present. The Biennale is a prime destination for wealthy collector scouting and there are auction houses’ present like Christie’s and Sotheby’s who often host events. Yet it is mostly the presence of celebrities that attract luxury clientele and media coverage. 

Much of the Biennale is funded by private art galleries, companies and luxury brands that seek to market their goods to a high profile clientele. 

Focusing on artists from all backgrounds, the Biennale has an objective: to express the reality of our world by keeping up with new technologies,  embracing modernity and touching on current issues such as the environmental crisis.

In the end, the Biennale is beneficial for all, it is the thermometer of the art world, generating fruitful encounters and new artistic concepts. It is public, it is private and is also political. Everything is interweaved.

It is one of the, if not the most important art events in the art world.

LBSSHomes – Going East, NY Edition: the Hamptons

In the last two installments of this series, we explored more abstract ideas of luxury and real estate, tracing and retracing the fine line between comfort and extravagance, mainly considering what elevates a property from mere residence to proper luxury. Now, it’s time to explore the tangible, looking at practicals in the timeless elegance of the East Coast’s most talked-about retreat: the Hamptons. Each and every summer, as New York’s streets quiet and the city’s buzz fades away momentarily, the allure of this not-so-little coastal haven draws New Yorkers (and more) eastward, to a place where peace meets comfort, and comfort meets wealth and luxury.

The Hamptons, a rather long stretch of soft, white beaches and discreet estates, seems to offer, from generations to count and generations to come, that rare “slow life”, making it more than a destination. This way, this eastern section of the State of New York looks more like a sanctuary where luxury breathes in and out, surrounded by the sea breeze, with estates softly brushed by the elegance of the old East Coast glamour. Here, time stops.

 

The Hamptons, a name that, for generations, has evoked images of whispered summer nights, sun-soaked beaches, boat parties and endless laughter, is where the heart of the East Coast’s luxury truly beats. But what makes this place so magical? The Hamptons most simply offer a rather graceful exit to the restless buzz of the city: it’s more than a status, more than an expensive property, it’s a place in which even the busiest and most followed individuals can and do indulge in the simplest, yet rarest, luxuries: space, quiet, and a glimpse of fun if they want to. The Hamptons’ charm is, in fact, not in ostentation but in its hushed elegance; here, one finds luxury in the feeling of peace and comfort that this coveted destination gives. It is a place where architecture and nature merge gracefully, where manicured english-style gardens (or even french style) blend seamlessly with wild hedges, a place where hydrangeas, lavender and roses mix with the sand of the Atlantic coast and white, wooden cottages (but also mansions) look out to the sea, seeking calm. Here, one can find the art of living crystallised into its most pure and elegant form: timeless homes where generations have built memories and where each summer feels like a return to a bigger-family matter.

Among these iconic homes, owned by some, if not all, of the most known names in American history, perhaps none is as cherished and looked after as Jackie Kennedy’s former summer (and childhood) residence, Lasata. Lasata, meaning exactly “place of peace” in Native American tongue, is the most perfect name. This estate, with its soft white walls and wooden clapboard, echoes the kind of sophistication that just refuses to drop its charm to the passage of time, but that, instead, reveals it slowly, like a story waiting to be told. Here, the key word is understated elegance. Stepping into those rooms, even virtually, one can really grasp how memories are woven and somehow encapsulated into Lasata’s rooms, each softly singing about the lives lived here. High ceilings make the structure light, almost airy, while all-surrounding glass walls and windows give light and clarity to the space, allowing you to look beyond the rooms, evoking a sense of merge with the surroundings and an idea of infinite comfort and space. The gardens are no less than an asset to this property, where the curated array of colours and textures invite the mind to relax.

Beyond Jackie Kennedy’s Lasata, the Hamptons are dotted with other estates that speak to this ideal of elegance and exclusivity, what we now refer to as “quiet luxury”. Each home, whether an 18th-century farmhouse or a sleek contemporary marvel (just think about Michael Rubin’s mansion where the famous White Party takes place each and every year), respects the timeless aesthetic of the area. Blaze Makoid’s designs in Sag Harbor and Bernie Madoff’s former Montauk beach house reflect these ideas, blending modern luxury with natural textures (and lots of glass windows), building wide-open spaces that invite the landscape to become part of the home. Here, nature is not something to be conquered b ut rather something to be admired and protected; the natural element (especially the soft breeze and the sunlight) now becomes a part of the lifestyle that each residence honours with endless glass walls, expansive decks, and pathways that, twirling in the sand, lead directly to the sea. It is this integration with nature that elevates the Hamptons from a mere getaway to a sanctuary (and even a social sensation).

“Going out east” means embracing the ultimate blend of luxury and coastal vibes, and the Hamptons offer exactly this: a seamless mix of heritage charm and modern elegance, a place where space, nature, and a sense of timeless belonging come together, making luxury feel effortless. Whether you’re drawn to historic farmhouses or sleek beachfront marvels, it’s all about reconnecting—with nature, with history, and with a simpler, more refined way of living (without forgetting to have fun on the way, with the countless bars and yacht parties). Going out east is more than going on a retreat, it’s a way to truly live well, and summering in the Hamptons is a great way to live well.



Luxury on the Line: the cultural divide in luxury car ownership

Antonio Mocchetti

In the U.S, luxury car brands are facing an unexpected challenge:  retaining their customer loyalty.. Exclusive brands like Porsche, Mercedes-Benz, and BMW have customer loyalty rates hovering between 49% and 60%. Meanwhile, in Italy, luxury cars are treated as much more than modes of transportation—they are works of art and symbols of prestige. Here, brands like Maserati and Mercedes-Benz – yes, even German makes – are not just cars, they are a part of the nation’s identity.

How can this difference be explained? In the U.S., the market seems to lean towards practicality, reliability, and cost-effectiveness, which explains why mass-market brands like Toyota and Honda dominate loyalty rankings. On the other hand, Italy’s automotive culture is rooted in craftsmanship and heritage. Italian consumers don’t just buy cars—they buy into the story and identity of the brand.

Before we dive into this unique mentality Italian consumers hold, let us better understand the landscape of the U.S. market, where practicality and affordability trump prestige. Mass-market brands like Toyota and Honda are leaders of customer loyalty, with rates of 62.5% and 64.2%, respectively. Despite their premium offerings, luxury brands like Porsche (57.5%) and Lexus (60.2%) lag behind. Toyota and Honda have built their reputations on delivering vehicles that are dependable, low-maintenance, and cost-effective over the long term. For many consumers, these qualities outweigh the appeal of luxury features. In addition, luxury ownership in the U.S. is often seen as a milestone or a symbol of success, rather than an everyday option. Many buyers opt for luxury cars as a one-time purchase or an occasional indulgence rather than a recurring commitment. 

The Throttle House

Conversely, Italy is a country where automotive excellence is ingrained in culture as fine wine or aged cheese. Brands like Ferrari, Maserati, and Lamborghini are icons of artistry and engineering. Even German luxury brands (i.e. BMW, Mercedes-Benz) hold elevated status in Italy–they successfully blend their precise engineering with the Italian appreciation for design and performance. Italians place a premium on owning products that are not only functional but also beautifully crafted. A Maserati is more than a car; it’s a statement of personal identity and taste, even a celebration of “la dolce vita.” 

Spotting an Alfa Romeo Giulia or a Mercedes-Benz E-Class is not a rare sight in cities like Milan or Rome, where they seamlessly complement the country’s architectural elegance. Owning a luxury car in Italy is less about showcasing wealth and more about participating in a shared cultural value: an appreciation for the finer things in life. 

Chris Lager

When in the market for a new car, Americans may ask “what works best for me?” whereas Italians are more likely to ask “what represents my identity?”. The economic landscapes in these countries are also an explanation for this difference. The sheer size of the middle class in the U.S. contributes to the dominance of mass-market brands. For many, luxury cars are aspirational but not practical for everyday ownership. While affordability is important to some segments, the Italian mentality seems to prioritize saving for or investing in a premium vehicle. 

Of course, the automotive industry is an ever-evolving field. Globally, customer loyalty rates for luxury cars have been on the decline. As younger, tech-oriented buyers enter the market, they are less tied to brand heritage and more focused on factors like innovation and sustainability. For example, Tesla successfully captured the electric vehicle (EV) market, prompting traditional luxury automakers to integrate EVs and hybrids into their lineups. Especially true for luxury automakers, adapting to these challenges is key in order to maintain their status. This contrast between American pragmatism and Italian passion underscores the broader cultural influences that shape consumer behaviour—a reminder that in the world of luxury, the true competition lies not just in engineering and innovation, but in the stories brands tell and the values they embody.